Heidi began working with the mannequin legs yesterday and it was so lovely. She has some sort of serenity in her focus that is very powerful to watch as she manipulates them and places them. The piece is so much about line and order, and her Cunningham-ness really shows through even in a subtle way. Since her task is so simple and complicated at the same time, it will differ each time, and she can improvise it easily I think.
Katrina in the big tire dress is another spell-binding piece. Frightening a bit, which is appropriate.
The duet is getting built, but will be likely pretty short since it is dense and fast. Definitely a counterpoint.
Working with Shawn's sounds is going well. Looking forward to some new stuff.
Visited the AGA again and mapped out the pieces in the space, which causes some adjustments, but makes it more definite.
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